Hey Avery,
I just finished the latest draft of A Dalliance With Darcy. Thanks for being so receptive to our proposal to make the book more ethnically diverse. So few writers are willing to take the advice of the “sellouts in marketing”. You’re a real team player.
That being said, I have a few questions about this “Luke Cage, Hero For Hire” character you’ve added to the story. He’s described as an African-American from Harlem, New York, a character-type that has not exactly been a mainstay of 19th-century romantic fiction.
I must admit to being mystified by the repeated mentions of his “unbreakable skin”. Is this a metaphor for an icy exterior that prevents Helena from being able to reach his heart, thus causing her to return to the arms of Darcy? Be careful with taking it too far - we don’t want to boil the ocean.
The mentions of his past problems with the police add a great element of mystery to the book, and give Cage a dark, anti-hero touch that helps explain Helena’s attraction to him.
However, the character also talks about experiments conducted on him whilst he was in prison, and I don’t know if the scientific community of the time was advanced enough to create this “electro-organic field” that he speaks of. I am waiting to hear from our fact checkers about whether or not there is research to support this particular plot element.
Cage also brings with him some sparkling dialogue that -while certainly a wonderful addition to the novel’s overall palate- has been described by our proofreaders as “anachronistic at best”. For instance, would a member of the late-1800s upper-class really refer to Lady Faverly as a “jive turkey”?
Last of all, you know I’ve always been a fan of your descriptive abilities, but I think you took a wrong turn with Cage’s attire. Every other character in the book wears period clothing, but you paint Luke as “bearing leather pants, an open shirt, and metal gauntlets on his wrists”. I would advise switching out all this modern clothing for something simpler: in place of the chain around his waist, maybe a cummerbund?
Of course, you’re the writer, and I completely trust you on this. I’m sure there’s some way we can capture the essence of a black, street-smart crime-fighter, while at the same time having him be none of those things. Come in, we’ll blue-sky it.
Hope to hear from you soon,
Phil Shelton
Editor, Sanditon Books
P.S. All that said, I can’t praise your other new antagonist, this “Reed Richards”, enough – in spite of the fact his preferred moniker of “Mister Fantastic” stretches our suspension of disbelief far beyond normal limits.